Saturday, January 20, 2018

3 Ways to Punch Stage Fright in the Face


Picture this.  

It’s the night of your big performance.  

You look great. You feel great.  You’re ready to show your friends and family what you can do.

You’ve practiced for months.  You know your music inside and out, forward and backward, figuratively speaking of course.  You’re as prepared as you know how to be.

Yet when you step backstage, that’s when he shows up.


Dressed in black with menacing eyes glaring at you above a disgusted smirk, Stage Fright emerges from the shadows.

“You call that ‘prepared’? Ha! You didn’t even practice today.  You’re about to make an absolute fool of yourself in front of everyone.  That dream career of yours is about to end with one horrendous train wreck of a performance.  You’ve only had that last piece for a few months!  I can’t believe you’re ending your big recital with your least prepared piece.”

He laughs menacingly and slaps you on the shoulder.

“Look on the bright side! Once you trash your reputation as a musician, you won’t have to worry about me showing up anymore.”

Leaning in conspiratorially he whispers, “You could always just quit and save yourself the embarrassment of falling on your face.  Literally or metaphorically.  Both will probably happen knowing your luck.”

The stage manager snaps you from your conversation. 

“Hey! You’re up!”

Stage Fright takes a seat on the front row and laughs as you take the stage.


An Ever-Present Foe

My first piano recital was over 25 years ago. I’ve played in many recitals, competitions, concerts, seminars, auditions, and other performances since then, yet Stage Fright still rears his ugly head.

What has changed over the last few years is that I have learned 3 highly effective ways to beat Stage Fright at his own game.  These techniques also work when you’re giving a presentation, attending an interview, or any other situation where you may fear the outcome of your performance.


1. Best Case/Worst Case Scenario

In The Inner Game of Music Barry Green and W. Timothy Gallwey, share a technique for dealing with Stage Fright.  Consider the best and worst possible outcomes of your best or worst performance.  “When you explore the answers to these questions in a little detail, it usually becomes clear that the ‘worst possible case’ wouldn’t be so bad after all, and that the ‘best case’ would be just fine – but not so fine that you’d need to worry about it.”
Imagine yourself auditioning for your dream job. 

Best case scenario: You perform incredibly and they hire you on the spot.
Worst case scenario: You freeze up, perform terribly, and they tell you they’re not interested.

Can you live with both of those outcomes? 

Getting your dream job? Absolutely! 

Not getting the job? It stinks, but it’s not the end of the world.  Chances are there are similar jobs you could audition for.  Or you could work on your skills and come back another time and try again.

Chances are you will neither ace nor bomb your audition, so when Stage Fright starts telling you that your life will be over if you bomb this audition, give him a good one-two punch to the nose and tell him that if today goes poorly you can pick yourself up and try again.


2. Anxiety = Excitement

Every time I perform, my heart races, my hands sweat, and my breathing gets shallow.  Sometime those responses are more noticeable than other times, but they are present nonetheless.  

Stage Fright frames those feelings as fear and anxiety.  If you try suppressing your fear and anxiety by thinking about something else, it usually makes you feel worse, not better. 

In The 5 Second Rule Mel Robbins shares a fascinating fact – “physiologically anxiety and excitement are the exact same thing!” 

Consider the physical responses you feel when you’re anxious – racing heart, sweaty hands, shallow breathing, can’t sleep.  Now consider how you feel when you’re excited about something – your heart races, your hands sweat, your breathing shallows, you can’t sleep. 

Notice any similarities in those lists?

When Stage Fright uses those physical responses to prove to you how anxious you are, give him a black eye by saying “This isn’t fear. This is excitement! I am so excited to perform today!”  

It’s true, isn’t it?


3. Build up to Every Performance

Have you ever wondered why your teacher has you perform your pieces so many times in front of so many different people before a big competition or a recital? 

Believe it or not, it’s not to stress you out.  On the contrary, it’s to help you beat Stage Fright!

Don’t you hate it when you can perform a piece perfectly in a practice room and it falls apart in your lesson? I’ve actually had students video themselves playing a piece just to prove that they can do it. Performing in front of your teacher is a slightly more intidimating situation than performing by yourself in the practice room. 

In the same way that you build up in skiing from the bunny slopes to the triple black diamonds, you build up from the practice room to the stage with a series of gradually more intimidating performance situations. 

Your personal series may include some or all of the following:    
  •         In a practice room by yourself
  •         In a lesson with your teacher
  •         In a practice room with a few close friends
  •         In a practice room with a few strangers
  •         In a voice, piano, or instrumental seminar with other voice, piano, or instrumental students
  •         In an audition at your school or church
  •         In a department-wide weekly performance hour with other music students
  •         In a masterclass with a different teacher in front of other students and teachers
  •         In a small competition
  •         In juries/final exams
  •         In a recital with other music students
  •         In a recital by yourself
  •         In an audition for a job or other big performance opportunity


When Stage Fright comes at you dual-wielding light sabers of doubt and fear, you can disarm him easily as you recount all of the times that you’ve already performed this piece well.  Don’t let him trick you into thinking you can’t do something you’ve already done.


What about you?

What techniques do you use to fend off the attacks of Stage Fright?

Leave a comment below and you may see your name and idea in a future post (with your permission of course)!


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